Friday 04/19/2024 by phishnet

SPHERE1 RECAP

[This recap primarily of the scene is courtesy of dot net user @saw_ita_Jen, Jenny Chadbourne. As with all recaps, the views expressed are those of the recapper and may not reflect the views of any of the volunteers who run this site. -Ed.]

With night one on the books, I sit here in my room trying best articulate this experience, which is not easy. It's akin to trying to describe the sky and the colors of the sunset, or what it feels like to be in a redwood forest at sunset. The full emergence of the experience is truly grand, beyond anything you can comprehend. In this case a picture (of Nectar) is really worth a thousand words (so there a bunch in this recap).

The Sphere is a force of color and light on the strip, it’s hard to miss in the day or nighttime. It’s constantly radiating light, and color. A true work of psychedelic genius. For reference, the Hampton Coliseum is 84,827 cubic feet (26,263 square foot arena floor and a 70-foot ceiling), but Sphere is 875,000 cubic feet, as it's 366 feet tall and 516 feet wide. As the cherry on top, we get graphics for Dead and Co---it’s really special to have that steal your face imagery in the mix.

© 2024 Erick Anderson
© 2024 Erick Anderson

As you approach the sphere from the various entrances you have options of entry, floor GA and then two main walkways into the 100-400 level seeing. It’s a little clustered getting to the ticket scanner bag pat down part but not bad. It felt slow but the energy was off the charts, everyone in show mode but also like "wait, what is really about to happen?" Best to get your phone on to the free Sphere WiFi prior to the ticket scanner... caused a little jam at the POEntry.. then you're through and you walk thru the door to this:

© 2024 Jen Chadbourne
© 2024 Jen Chadbourne

This installation was Phish specific, no donuts for U2. The lobby has Phish space music playing, for sure created by them, reminiscent of the ambient music from the festival sets especially SuperBall IX. So it’s like the sickest five-story movie theater lobby that is only rivaled in looks by Disney.

Some reasonable lines for food and merch. I mean it was just out of this world. Most comments were like “oh my god great to see you!" and "see you on the other side.”

No detail too small to reveal, animated versions of the poster, in the lobby. Immersive all encompassing instantly. Like hanging with friends new and old in a Phish wonderland.

© 2024 Jen Chadbourne
© 2024 Jen Chadbourne

Then through one final rhombus portal into the Sphere..

© 2024 Jen Chadbourne
© 2024 Jen Chadbourne

So we are now entering the Sphere.. chills, colors, clutter and a vibes so excited you could feel it, but unlike New Years Runs on Hallowed grounds, this had an X factor, a wild card no one knew or could comprehend what to expect.. and this is what the view looked like from the 100 level:

© 2024 Jen Chadbourne
© 2024 Jen Chadbourne

We have a very scaled back stage set up. Fishman in a plexiglass tank much like he would use in a recording studio. Then you have Trey with a rumble pad ala what Mike has been using for the last five plus or minus years. It allows them to feel the low end which is harder to hear on stage. The pads have vibrational qualities that allow those bass bombs to really drop. Sphere has 4400(+) directional speakers---the sound swirling and traveling around the room was just incredible. Page would come in loud on Mike side and then whirl around, and Trey would loop around and up and over and back to center. The sound dimensionality is explained by Trey himself in the AP interview which is on YouTube and is required viewing.

© 2024 Scott Marks
© 2024 Scott Marks

There was so much space for the sound, the low end had depths to it, the high end had layers to it that you can create in a studio but typically aren't executed in real time live, just an incredible audio experience. Think Phish video game. With all the speakers there is so much more density to the sound than at a typical venue during a live performance, a fully personally fucked-with auditory sensation.

© 2024 Scott Marks
© 2024 Scott Marks

There was no real light drop when the band took the stage. They just came up and it began. There were Easter eggs, there was transcendence, the crowd gasped out of pure awe, or cheered cause it was so legit. There was. Just everything you could want.

© 2024 Scott Marks
© 2024 Scott Marks

I mean the brain can only comprehend the space as sky and the horizon. You are in a environment that is created by Phish. And boy did they go for it. The first set ended and the set break was quick... and second set they dropped into the most fire setlist.

© 2024 Scott Marks
© 2024 Scott Marks

The imagery for "Mike’s>Lifeboy>Weekaupaug" was pure heavenly ascension bliss. I mean I light cried at the beauty and perfection of all. The attention to detail is what really set it apart.. there was no stone unturned.

© 2024 Scott Marks
© 2024 Scott Marks

"Tweezer"??’ with the “ literal jam vehicles” whipping around the venue, with the headlights turning on making the cars disappear and looking a lot like Scooby doo ghost eyes in the dark and right when the band said “Uncle Ebenezer” was sick.. there were times where the song tempo has to be just .03% slower for the music to line up with the images. Fishman would slow down a tad, it would line up for 1/3 min and then it would just kind of go back to the normal flow. That was cool to see.

© 2024 Scott Marks
© 2024 Scott Marks

The encore of "Farmhouse" was stunning.The barn, the northern lights, the stars so bright. It was more literal than some, and fully incredible.. the barn ... a cool homage..

They closed night 1 with a truly stunning "Antelope." It was the most trippy and beautiful thing ever…the song opened with what looked like a page of acid tabs and then splintered into a million bursts of light. Intended or not it was almost heavenly, and I could not help but think about the most misunderstood human in the Phish community, the infamous Antelope Greg himself. Those who knew him, knew the magic from that guy's heart.

© 2024 Scott Marks
© 2024 Scott Marks

Greg was a wonderful travel companion who always had the scoop on the best routes/rooms/reviews of the shows. His life was seeing the thing we all love the most. He was at over 850 shows. As a whole, I feel that bullying is so off brand for the Phish community. We are all humans growing up and evolving and if we can’t give one another the space to grow, then chapters of the book are being skipped. To those who tried to make his life a living hell by trolling him, to those who made a game of bullying someone at a concert, you have no idea the love this man had, but Phish knew. And that lovely---intended or not---set closer with the points of light, and their heavenly feel, was a fitting tribute to such a force of energy for the community...I personally could write for hours more but we have 3 more shows and sleep is needed.. these are shows for the books. Phish leveled up with this one hard core. The show was solid, solid as a rock in fact.

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Comments

, comment by apruem
apruem Thanks for writing. Was really looking forward to this recap and I enjoyed the first hand descriptions of the light and sound.

Unsolicited critique of your critique: 4th quarter lull/left turn about this Greg fellow. I’d like to learn more, but I think it’s a separate piece of writing.
, comment by apruem
apruem @apruem said:
Thanks for writing. Was really looking forward to this recap and I enjoyed the first hand descriptions of the light and sound.

Unsolicited critique of your critique: 4th quarter lull/left turn about this Greg fellow. I’d like to learn more, but I think it’s a separate piece of writing.
Also, think you meant “tried” no “tdied” some typos there.
, comment by bobbyshirley
bobbyshirley Thanks for the review! It eases my FOMO just a little bit. Enjoy the rest!
, comment by Slowdecline420
Slowdecline420 Wonderful travel companion, lol - revisionist history!
, comment by hurrayforstuff
hurrayforstuff Mike’s groove was an experiential art masterpiece. It was absolutely stunning.
, comment by ajcmixer
ajcmixer The moment this recap arrived at the word "infamous" is the moment this recap ceased to be relevant to these eyes. Thanks anyway?
, comment by Thephats
Thephats Yes! Thank you. Great review! I could feel what you were experiencing leading up to the show. So well done. Yeah, had to been phenomenal. That Farmhouse looked sweet on the Livestream here on my cell phone watching late last night. Can’t imagine what that was like in real time. Tonight’s the night! Last night was an amazing show of the craft and study that Phish exhibit night in night out! Have a blast this weekend.
, comment by Lemuria
Lemuria Attendance bias is going to be magnified given the quality of the sound and size of the visuals. Having watched from the couch, this review seems about a different show. The first set seemed lackluster. The second set had good energy but little exploration. And some of the visuals (lanterns, Mike's, northern lights) were awesome, but much of it had that screensaver vibe that distracted from the sound, good incentive to close your eyes if you wanted to stay in the zone - in which case, I might as well be on the couch. :)
, comment by jibboo4u
jibboo4u Great recap! Only thing is, the statement about the lobby donut installation being unique to Phish is incorrect. That is a permanent art installation that has been there since Sphere opened. The circles are typically lit up white or blue; they were lit up red specifically for Phish. Attached is a screen shot from a video taken by a Sphere attendee in September 2023 where you can clearly see the circle installation is in fact there (hopefully the link works) https://share.icloud.com/photos/036wacDl-x2JvaJydqbbL-ItQ[/img ]
, comment by Mikingbird
Mikingbird Well that was hands-down my favourite recap ever! Worthy of the historic performance. You really captured the experience. Thanks for letting lots of pictures say thousands of words. Indeed, the Mike's Groove setting was astounding, even from the couch. Those little hatchlings on the lake - in that perfect, natural, serene setting - where RHOMBUSES!!!....and no Gamehendge songs....
, comment by greghappe
greghappe Loved the review but…Umm…
This is going to sound needy, but can we please get a rig rundown from Kuroda and Abigail that shows us how the visual magic happens? I was FLOORED with the visuals, and while the Washington Post article tries to explain it I would LOVE a rundown from the folks orchestrating the visuals…please?

For example: how did the visuals for Theme From the Bottom come about? Was it something that required a lot of pre-planning or is the sphere magic (and visual engineers) able to adapt ‘on-the-fly’ to create the underwater seascape?
, comment by animalhead
animalhead Thanks for the stellar recap Jenny I appreciate your perspective. What hit me the hardest was “if we don’t give each other space to grow, chapters of the book are being skipped”. Damn. I’m keeping that one. Cheers!
, comment by TnJedHead
TnJedHead Having gone to this show, your recap did a great job putting the overall experience into words. It took us a solid 30 minutes to process the “lobby” and overall scope once inside.

On the music front, I thought it took the band and sound a few songs to settle in. By the Wolfman’s jam they were cooking. It seemed like the improv was patient all night which I can understand would come across differently from a couch tour perspective. But all these jams stood up upon relistening. The pretty songs couldn’t have been any prettier, Carini stayed evil, and when I thought they were done we got Blaze>Fluffhead. Without the Sphere this is a solid B+ show, and if you were there, bias easily pushes this into A territory.
, comment by willis00
willis00 @TnJedHead said:
Having gone to this show, your recap did a great job putting the overall experience into words. It took us a solid 30 minutes to process the “lobby” and overall scope once inside.

On the music front, I thought it took the band and sound a few songs to settle in. By the Wolfman’s jam they were cooking. It seemed like the improv was patient all night which I can understand would come across differently from a couch tour perspective. But all these jams stood up upon relistening. The pretty songs couldn’t have been any prettier, Carini stayed evil, and when I thought they were done we got Blaze>Fluffhead. Without the Sphere this is a solid B+ show, and if you were there, bias easily pushes this into A territory.
I totally agree with this. I mostly “couch” but was able to go to night one. Sure, it’s attendance bias, but I thought it was great! There were times that the visuals were a best “4-bit” feeling to me. And they had to work out some sound kinks. In terms of playing, it hitting in so many ways in the room, and overall enjoyment from a fan’s perspective, I had an “A” experience.
, comment by rachelmolly
rachelmolly Appreciate your heartfelt words about Antelope Greg. Whether an intentional nod or not by the band, with his recent passing it’s so nice to read words of kindness about him. We are an ever-Evolve-ing community, and it was most fitting tribute to him.

I didn’t want to believe the jam vehicles but now I’m convinced.

Thanks for your review, Jenny!
, comment by nesta
nesta Lifeboy ..... best ever Nice shout out to the post show tunes.
, comment by AirGordo
AirGordo I haven’t seen this mentioned anywhere yet but maybe it’s one of the Easter eggs alluded to earlier. I’m convinced that the headlights on the cars during Tweezer were meant to resemble the actual moving lights of Kuroda’s rig. If anyone else wants to weigh-in I’d be interested to hear other takes.

Having been fortunate enough to go each night except Saturday, I also have to say that anyone saying the energy level wasn’t there N1 or that the screen detracted from the music is kidding themselves in an attempt to either feel better about missing out, or rationalize their inability to be on the same page as the band and most of the crowd. Night 1 had the highest energy level of the run by a mile, from both band and crowd alike, and is one of the higher energy level shows of the few dozen I’ve seen over the last 10 years. Night one visuals were honestly a little lackluster imo but this was more than made up for by the cohesive groove-centric jams and mind blowing sound quality which I hope all my Phish brethren will one day get a chance to experience at a reasonable price point.
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